에밀리 메이 스미스 Emily Mae Smith

1979 ~

미국

비주얼 아트

작가약력

• EDUCATION
• 2006, M.F.A. Visual Art, Columbia University, New York
• 2002, B.F.A. Studio Art, University of Texas at Austin
• SOLO SHOWS
• 2021, Harvesters, Perrotin, Paris, France
• 2021, Speculative Objects, Rodolphe Janssen, Brussels, Belgium
• 2020, Kin, Simone Subal Gallery, New York, NY
• 2020, Feast and Famine, SCAD Museum of Art, Savannah, GA
• 2020, Ex Libris, Rockefeller Arts Center, Fredonia, NY
• 2019, Avalon, Perrotin, Tokyo, Japan
• 2019, Matrix 181, Wadsworth Atheneum Museum of Art, Hartford, CT
• 2018, Le Consortium, Dijon, France
• 2018, A Strange Relative, Genesis Belanger & Emily Mae Smith, Perrotin, New York, NY
• 2018, Feast of Totems, Contemporary Fine Arts, Berlin, Germany
• 2018, Henry+Smith, 39 Great Jones, New York, NY
• 2017, The Sphinx or The Caress, Simone Subal Gallery, New York, NY
• 2017, The Little Apocrypha, collaboration Emily Mae Smith & Adam Henry, curated by Samuel Leuenberger and Elise Lammer, SALTS, Birsfelden, Switzerland
• 2016, Tesla Girls, Rodolphe Janssen, Brussels, Belgium
• 2016, Honest Espionage, Mary Mary, Glasgow, UK
• 2015, Medusa, Laurel Gitlen, New York, NY
• 2014, Novelty Court, Junior Projects. New York, NY
• 2011, Neon Sigh, collaboration with Adam Henry, The Arcade, Nashville, TN
• GROUP SHOWS
• 2022, Sausage Party, Roldophe Janssen, Brussels, Belgium
• 2021, Speaking Tree, Candice Madey, New York, NY
• 2021, La Bohème, curated by Eric Troncy, Alfonso Artiaco, Naples, Italy
• 2021, Figure 9, curated by Ryan Travis Christian, Western Exhibitions, Chicago, IL
• 2021, The Dreamers, 58th October Salon I Belgrade Biennale, Belgrade, Serbia
• 2021, Someone said that the world’s a stage, GRIMM, New York, NY
• 2021, Bitter Nest, Perrotin, Tokyo, Japan
• 2021, Works on paper, Alvaro Barrington, Ellen Berkenblit, Louise Bonnet, Chris Martin, Eddie Martinez,
• 2021, Emily Mae Smith, Betty Tompkins, Rodolphe Janssen, Brussels, Belgium
• 2021, Alphabetic Image, Arsenal Contemporary, New York, NY
• 2021, Works on paper, Jorge Pardo, Seth Price, Pieter Schoolwerth, Emily Mae Smith, Petzel Gallery, New York, NY
• 2020, ABSTRACTION: between Representation and Non-Representation, Jason Haam, Seoul, South Korea
• 2020, TITLE TBD, Cleveland Institute of Art, Cleveland, OH
• 2020, Myselves, Kohn Gallery, Los Angeles, CA
• 2020, A Love Letter to a Nightmare​, Petzel Gallery, New York, NY
• 2020, Art on the Grid, Public Art Fund, New York, NY
• 2020, All of Them Witches, organized by Dan Nadel and Laurie Simmons, Jeffrey Deitch, Los Angeles, CA
• 2019, Personal Private Public, Hauser & Wirth, New York, NY
• 2019, Dark Laughter, curated by Barry Schwabsky, Pippy Houldsworth Gallery, London, UK
• 2019, Words, Alexander Berggruen Gallery, New York, NY
• 2019, The Smiths, Malborough, London, UK
• 2019, Home/Work, JDJ | The Ice House, Garrison, NY
• 2019, Throwback Jack, curated by Amanda Schmitt, Fredericks & Freiser, New York, NY
• 2019, Magnetic Fields, curated by Cecilia Alemani, Gió Marconi Gallery, Milan, Italy
• 2019, No Patience For Monuments, Perrotin, Seoul, South Korea
• 2019, AXxoN N., Essex Flowers, New York, NY
• 2018, Summer, curated by Ugo Rondinone, Peter Freeman Inc, New York, NY
• 2018, Pine Barrens, Tanya Bonakdar Gallery, New York, NY
• 2018, Six Artists, Harper’s Books, East Hampton, NY
• 2018, The Sun Is Gone But We Have The Light, Unclebrother, Hancock, NY
• 2018, Dancing Goddesses, Dio Horia, Mykonos, Greece
• 2018, Texas, Philip Martin Gallery, Los Angeles, CA
• 2018, Buddy System, Deanna Evans Projects, Brooklyn, NY
• 2018, Herding Cats Again, Catbox Contemporary, Ridgewood, NY
• 2018, Tell Him What We Said About Paint It Black, 1 Mile Gallery. Kingston, NY
• 2018, The Revolutionary Suicide Mechanised Regiment Band Part 2, Rob Tufnell, London, UK
• 2018, The Cruellest Month, Mother Gallery, Beacon, NY
• 2018, Harper’s Books at the Beverly Hills Hotel, Beverly Hills, CA
• 2018, Any body suspended in space will remain in space until made aware of its situation, Temnikova & Kasela, Tallinn, Estonia
• 2017, Engender, Kohn Gallery, Los Angeles, CA
• 2017, Pharmacy for Idiots, Rob Tufnell, Cologne, Germany
• 2017, Women to the Front, Works from the Miller Meigs Collection, Lumber Room, Portland, OR
• 2017, Her Eyes Are Like Doves Beside Streams of Water, Adams and Ollman, Portland, OR
• 2017, Le Quatrième Sexe, curated by Marie Maertens, Le Coeur, Paris, France
• 2017, Sharper Image, Present Company, Brooklyn NY
• 2017, Eyes, Nose, Lips, Etc. Etc., Left Field Gallery, San Luis Obispo, CA
• 2016, Scarlet Street, Lucien Terras, New York, NY
• 2016, Me, Myself, I, China Art Objects Galleries, Los Angeles, CA
• 2016, Surrreal, König Galerie (St. Agnes), Berlin, Germany
• 2016, What’s Up, curated by Lawrence van Hagen, Soho Revue, London, UK
• 2016, Untitled Body Parts, Simone Subal Gallery, New York, NY
• 2015, Unrealism, organized by Jeffrey Deitch and Larry Gagosian, The Moore Building, Miami, FL
• 2015, Mrs. Benway, Fourteen30 Contemporary, Portland, OR
• 2015, I Dropped the Lemon Tart, Lisa Cooley, New York, NY
• 2015, Six Advertisements, Marlborough Chelsea, New York, NY
• 2015, Comic Relief, Levy/Delval, Brussels, Belgium
• 2015, Oh, Of Course, You Were Berry Picking, co-organized by Rosa Tyhurst, DREI Galerie, Cologne, Germany
• 2015, Six possibilities in painting (int.), curated by Fabian Schöneich and Samuel Leuenberger, Galerie Bernhard, Zurich, Switzerland
• 2014, Help Is on the Way, organized by Sean Landers, Wasserman Projects, Birmingham, MI
• 2014, Parallax Futured: Transtemporal Subjectivities, Skirball Museum, Cincinnati, OH
• 2014, Kidnapped, eine Wohnungsausstellung, Petrus Entertainment
• 2013, Page 179, Artforum, September 2013, Brennan & Griffin, New York, NY
• 2012, Knowledge of the True Games, Know More Games, Brooklyn, NY
• 2011, Anonymous Presence, Y Gallery, New York, NY
• 2010, Portugal Arte 10 Portuguese Biennial, Personal Freedom, Lisbon, Portugal
• 2009, On From Here, Guild and Greyshkul, New York, NY
• 2007, Love in a Cold Climate, curated by Sima Familant and Lisa Schiff, Allston Skirt Gallery, Boston, MA
• 2007, The Cement Garden, Marvelli Gallery, New York, NY
• 2006, Summer Salon, curated by Kate Werble, Gerald Peters Gallery, New York, NY
• 2005, The Love Below, Marvelli Gallery, New York, NY
• PUBLIC COLLECTIONS
• Arsenal Contemporary, Montreal, Canada
• Blanton Museum of Art, Austin, TX, USA
• Brooklyn Museum, Brooklyn, NY, USA
• Columbus Museum of Art, Columbus, OH, USA
• Consortium Museum, Dijon, France
• Dallas Museum of Art, Dallas, TX, USA
• MOCA, Los Angeles, CA, USA
• Powerlong Art Museum, Shanghai, China
• Wadsworth Atheneum Museum of Art, Hartford, CT, USA
• Whitney Museum of American Art, New York, NY, USA
• Zuzeum Art Centre, Riga, Latvia